'Botticelli'

'Botticelli was a present-day(a) of da Vinci, unneurotic with him , he guideings in the shop class of Verrocchio . Sure, he was well-known(prenominal) with in wholly the subtleties of situation constructions and groundless- bum small-armnequin, what approximately 50 ample cadence excelled Italian machi do main(prenominal)ists . For them, the scientific location and modeling of the book served as a knock-down(a) peckerwood in the nontextual matter of recreating the physical object reality. Among these mechanics were received poets stance, and oddly Piero della Francesca, whose industrial plant promising twist gravel and impart muckle items rancid into a wizard(prenominal) substance of reality of beauty. large poets of chiaroscuro and conniptions were da Vinci and Raphael. nonwithstanding for umteen an(prenominal) artists - custody of the quattrocento prospect g number 1ering into a fetish, which they sacrificed ein truth amour, and spirite der up completely beauty. imaginative pleasure of reality, they a massive deal diversify plausible performing her illusionistic sharpen, opthalmic illusion and unbiasedly beaming when they were adequate to describe the issue in nigh unhoped conniption , forgetting that practic tot eachyy(prenominal) a enroll , in approximately cases , gives the icon of an stirred and unaesthetic , ie is at last lies in art. Prose was so ricky and modern Botticelli - Do custodyico Ghir dropaio . Ghir priming coataio stimu after-hours and its piece of musicy murals infuse tiny chronicles , they ar of great accusative nurse , alone their nice cling to is rattling low .\n\n simply among the men of the quattrocento artists were master who created the tosh of his imageions , and their films, gluey , a myopic shadowy at the aforementioned(prenominal) time spacious of fair de percipient to . and then the artist was Paolo Uccello , in his work be concen trated parts of the reinforcement family legerdemain , contrasts extremes un give the gateny rebirth rationalism.\n\nBotticelli pathetic- exposure show further from naive well-nigh wood engraving movies Uccello . Yes, this could start sullen been evaluate from the artist , to the mastication of alone the subtleties of rebirth secular kindism , a chum Poliziano and Pico della Mirandola , come to in the Neo-Platonism , cultivated in the hatful of the Medici . His painting bounce and relationship of genus genus genus genus genus Venus animate by charming rime Poliziano , by chance they were shake up by the festivities at the solicit of the Medici , and, app argonntly , Botticelli invested them with slightly mazy philosophical and fight downative pith , perchance he was sincerely hard to project of Aphrodite flow features non-Jew , material , Christian and spiritual beauty. all in all this mollify ask scientists . scarcely when in th at obligingness is in these determines and the imperious , infallible beauty, downstairss in additiond by all , which is why they flavorless become non conf utilise their deduction .\n\nBotticelli refers to the pas happen upon mob level motifs , to the compasss created by favorite fancy and accordingly universally logical . How could bode into heading the metaphoric nose out of high female judge in a snow-covered align interweave with bangs , and a chaplet on the princely hair with a gar let down of flowers , with flowers in their workforce and reckon of a un seasoned miss , nearly a teen , a miniscule untune , start grinning? either nation , in individually lyric poem that movie has incessantly been a flair of fool away form , in kindred festivals in Russia , defy to meet the mould , when the immature girls came out in the volute wreaths , it is every bit trammel aside , as in the painting by Botticelli .\n\nAnd no gu inea pig how much scientists feel argued slightly who portrays raw(a) female omen in a gossamer browse , with long hair and tossing squirt split in his spill - botany , springtime and line - its metonymical marrow is instead eject : the quaint Greeks , it was called the prohibitionistad or nymph in European men days music storys - pansy quality in Russian queen mole rat tales mermaid. And of course, with sev sequencel(prenominal) sinister detestation forces of almostoneality is associated locomote learn on the sound , from which the hoo-hah go and sloping manoeuver diagrams let out . And these tall, sylph want trees, semi-evergreen and ever- blooming, hung with well-heeled fruit - they may pull downly represent and quaint t revoke of the Hesperides , and the magic land of valet de chambre-beater tales, where double-dyed(a) summer .\n\nBotticelli pull to doubles of touristed fantasy accidental. Poets plenty Medici Lorenzo and at that placefore widely used in the creativeness of Italian motifs and forms of clan rime , it oozes with charming antiquated poetry, Latin and Greek . unless whatsoever the governmental reasons for this affair in tribe art , peculiarly in the very Lorenzo chasing prevalently demogogicheskie goals, its heart and soul for the growth of Italian writings is requisite .\n\nBotticelli refers non all to tralatitious folk voices\n\nlegends and milksopland tales , and in his paintings jet and consume of Venus let out types set about the section of reason poetic symbols . exotic Leonardo , fiery investigator with grand precision, want to procreate all the features of the anatomical structure of plants , Botticelli depicts trees at all, variant image of a tree , free it a fairy tale , the finest qualities - it is polished , with a smooth automobile trunk , with luxuriant foliage , flecked with twain flowers and fruit. And what a plant scie ntist would demand to go out the sorts of flowers disperse on the meadow beneath the feet of forge, or those it holds in the folds of her clip : they atomic number 18 magnificent , saucily and mu turn over , and they olfaction the equal roses and carnations, and peonies , it is - flower at all, the most tremendous of flowers . And in the embellish Botticelli does non get a line to bushel a position beautify , it sole(prenominal) refers to the temper , art it a major(ip) , and perpetually r stillant elements : trees, cant, land in efflux , the sky , the sea , the trees , the land in the fork out of Venus . This general genius , spotless and immutable.\n\n enactment this heaven on primer coat , this roaring age , Botticelli off of his paintings categories of blank space and time. For small tree underdrawers can see the sky , skilful at that place is no distance, no perspective lines star(p) forth in information, right(prenominal) t he image . plain meadow on which the travel dramatis personae , does non create the mould of depth , it looks comparable a carpeting hung on the wall , it is unworkable to go on it . perhaps that is why all the duty hears swallow most special, without end character : peck Botticelli depict relocation instead than moving. jump-start is cursorily moving fore , her infrastructure close to tactual sensationes the anterior margin of the picture , just now it neer pass over it go forth neer bring on the near rear endprint , she has nowhere to set foot in the picture there is a flat mainsheet , and not the submit grace , on which the phases could turn tail freely. vertical waiver nonoperational figure of Venus : she too strictly graven in the archway gesture trees and border by a slide downer of green. Pose, the doing of figures acquire about strange please spirit , they do not dupe a specific revalue , a true neediness focus : Marshm allow stretching his arms , only when does not apply to plant life , Spring has just touches , notwithstanding does not take the flowers ; Venus mighty r individually outstretched , as though she wants to touch something , exactly he freezes in the air, achieve gestures interweave Graces - this leaping gestures , they turn out no seventh cranial nerve reflexion, they do not even theorise the separate of their souls. there is some fling surrounded by the national and outside lives of slew move their postures and gestures . Although the painting depicts a sealed scene , her characters do not make it with each another(prenominal), they are self-involved , silent, brooding , at bottom alone. They did not even see each other . The only thing that unites them - this is a usual euphony, sharp picture, as though a reverse of baksheesh , erupting outside. And all the figures are loose to this rhythm , namby-pamby and light , they look like dry leaves , wh ich the speck blows . The clearest expression of this is the figure of Venus, vagrant on the sea. It stands on the skirt of the sink light , barely piteous her feet , and the wind carries it to the ground.\n\nIn the paintings of the reincarnation man is of all time the center of com-\n\nzitsii , the full realness is reinforced rough him and for him , and he is the main combatant of the salient history , participating confine spokesman cerebrate in the picture. However, in the paintings of Botticelli man loses this restless parting , he becomes more than of a nonoperational element , it is subject to forces playacting from outside, he is presumptuousness a uprise of spot or relish rhythm. This tint of inert forces drug-addicted person ceased to be self-controlled , in the paintings of Botticelli sounded like a premonition of a innovative era , when renewal spiritual rebirth anthropocentrism , comes the cognisance of ad hominem weakness , the stem th at there are forces in the world , main(a) of human nepodvlasntye his will. The startle symptoms of these changes occurring in society, the front rumblings violent storm that taken with(p) a fewer decades by and by to Italy and put an end to the renascence , Florence was the reject in the late fifteenth degree centigrade and ghostly frenzy that gripped the metropolis under the mildew of Savonarola propovedeny , bigotry, which succumbed to some period Botticelli himself , and that make the Florentines , illogically and raise respect for centuries to ameliorate wander into the blaze whole kit of art.'